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Published on 2014/07/08

A GREAT POWER COMES A GREAT...





The guys in charge of the superheroes casting couldn't believe it. They didn't know how to fit him in their plans, but he finally got a place in the new team. "I still don't know how, but this guy's gonna save all our lives someday", said Superman.



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Meanwhile, in the real superheroes headquarters...





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WHITE ART

Do you ever feel like you just don’t get art? You’re not alone. A lot of people see it as something complicated, full of interpretations that seem to come out of nowhere.

The truth is, art doesn’t have a single way of being understood. There’s no right answer, and many so-called experts are just repeating what they’ve heard or trying to sound sophisticated—but deep down, they’re just as lost as you.

Art is subjective. Sometimes it hits you, sometimes it leaves you cold, and that’s okay. You don’t have to understand it the way others explain it. If something catches your eye, makes you feel something, or just intrigues you, that’s your connection to art, and it’s just as valid as anyone else’s.

That being said, here we have a guy covering himself in white paint—or some kind of plaster, I don’t even know—and leaving marks on the floor. Is it art? Well, if they say so, sure. But I’m sharing it with you for another reason: watch how a woman from the audience seizes the moment to cop a feel—gloves and all. Honestly, the second video got to me more than the first. The first one is just for context.

Now, if I stick to what I said earlier… does that make the second video art? Well, by that logic, yes—it is.



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I saw fear in his eyes.






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MOTORPORN VOL68

There are machines that aren’t just driven—they’re felt. Engines that roar like they have a life of their own, bodies sculpted for desire, and exhausts spitting fire as if defying hell itself. This isn’t just speed; it’s a spectacle. A ritual of power, precision, and pure mechanical pleasure. Here, there are no limits—just a relentless passion for gasoline.



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The slow-motion shot of the day.






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WHAT WON’T A GRANDMA DO FOR HER GRANDDAUGHTER

The cultural clash between generations is undeniable, but in the end, you either adapt or at least tolerate it. There are things a grandmother would have never imagined in her youth, yet here she is, decades later, appearing in a video where her granddaughter is doing dances that would have scandalized half the neighborhood back in the day.

She doesn’t get it, and it’s not like she finds it amusing, but she’s also not about to start preaching about what’s right or wrong. Times change, younger generations do whatever they want, and older folks—though with that classic "this didn’t happen in my day" look—just shrug it off. You don’t always have to understand, sometimes you just accept that the world isn’t what it used to be and move on. After all, at this point, what’s the point?



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Putting on a Condom: PRO Level



She’s Riley Reid, and in this link, you can watch several of her scenes.




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THE WORLD'S FIRST FACTORY WHERE ALL WORKERS ARE HUMANOID ROBOTS

If the factories of the future are fully automated, like Zeekr’s in China, where humanoid robots do all the work, a big question arises: how will private companies make money if people aren’t working, don’t have incomes, and therefore can’t buy what those factories produce? Right now, the system works because workers earn a salary and spend it, but if robots take over everything, that cycle breaks.

The most talked-about solution is universal basic income, a kind of state-funded allowance so people can live without working. But here comes another paradox: if you get paid just for existing, what incentive is there to strive for more? Some might work to earn extra and improve their lifestyle, but those who rely solely on basic income will become the new poor. They won’t lack the essentials, but they won’t be able to aspire to anything more either. It would be like a modern-day rationing system—you can survive with the basics, but not really live well.

And here’s the key point: in any society, there will always be an elite. If factory owners lose control of the money because no one can afford to buy their products, the state will take over, deciding who gets what and under what conditions. Those who manage this system will become the new gods of Olympus, controlling everything while the rest simply depend on them. Whether it’s through big corporations or an all-powerful state, there will always be a few who hold the reins while the rest rely on whatever they decide.

So, who should govern us—the private sector or the state?

Neither one in absolute terms. If the private sector holds all the power, the relentless pursuit of profit could turn people into mere cogs in a machine designed to enrich the few. But trusting the state blindly isn’t the answer either, because history has shown that when bureaucrats and politicians take full control, things often slide into communist models that fail, suffocating individual freedom and crushing innovation.

The only viable path is balance. The private sector must continue driving progress, technology, and advancements in healthcare, education, and science—thanks to competition and financial incentives. But the state, as the voice of the people, must ensure that progress doesn’t come at the cost of our freedom or dignity. A system where innovation moves forward, but with enough oversight to prevent anyone from becoming a slave to it.



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Smells like petunias with a hint of jasmine.



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She is actress Lena Paul— click here to watch more of her scenes.




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THE NEW PANGEA

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There is a geological theory suggesting that in about 200-300 million years, the movement of tectonic plates will once again merge the current continents into a supercontinent, similar to what happened with Pangea around 300 million years ago.

This concept is part of the supercontinent cycle, where landmasses drift apart and reunite over hundreds of millions of years due to continental drift. Geologists have proposed several possible scenarios for this future supercontinent, with some of the most discussed being:

Pangea Proxima: A supercontinent that would form in the same region as the ancient Pangea.
Novopangea: Would emerge if the Atlantic continues to expand while the Pacific closes, pushing continents into a new union pattern.
Aurica: Would form if the Indian Ocean disappears and the current continents shift toward the equator.
Amasia: In this scenario, North America and Asia would merge near the North Pole.

Although this is an extremely slow process, scientists can predict it by measuring the movement of tectonic plates. So, if the planet is still standing in 250 million years, we might once again have a single continent.



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Shall we take a walk?






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THE FUTURE OF ROBOTS AND THE EMPLOYMENT DILEMMA

It’s becoming increasingly clear that androids will soon be part of our daily lives, taking on household chores, grocery shopping, and even jobs in factories, logistics, and construction. Automation is advancing with the goal of reducing costs and increasing profits, but this raises a major issue: if robots take over our jobs, where will we get the money to live? If too many people are unemployed, who will buy the products these companies produce?

There are two possible scenarios. One is the creation of a new economic model, where automation forces the implementation of a universal basic income to ensure financial stability for those who can no longer find traditional jobs. This way, consumer spending remains active, and the economy avoids collapse.

The other scenario is a transformation of the job market. Just like the Industrial Revolution eliminated some jobs but created many others, automation could generate new professions we can’t yet imagine. Humans might shift towards creative fields, tech-driven roles, or industries where empathy and human interaction remain irreplaceable.

What’s clear is that if we want a future where robots make life easier without triggering social collapse, we must rethink the economic model. Technology is progressing, but without a strategy for adaptation, the risk of a consumption crisis is real.



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The slow-motion moment of the day.






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